a blog created by and for UCF (University of Central Florida) Theories of Masculinity students to share experiences, resources/links, articles/reviews, to rouse discussion and incite action, and engage issues related to masculinity. you should participate, too. email moderator for permission at Leandra@ucf.edu.
Saturday, October 30, 2010
The military is the best example for how violence is built into masculinity
Thursday, October 28, 2010
Wednesday, October 27, 2010
The War Between the Sexes
I have started taking to heart the anti-woman comments I've heard lately...I guess I have always thought of "misogyny" as a mistrust of women, a condescion to women, or simple but often humor-ridden discrimination. I don't think I wanted to believe that I was up against an actual "hatred" of women.
One example of these comments was a joke that a guy friend of mine made. We were at dinner with friends and a woman who was there, whom we had both just met, made a comment that pissed him off--a joke about his paisanos being bigheaded and irritated. He got onto her about it, and later he told me..."You know what I was thinking...I didn't say it, but I was thinking 'You know what's wrong with her? She must not be getting f*&%^d right," and explained, "Her boyfriend must not be doing her right...now if she were with a [insert his nationality]...maybe she wouldn't be so bitchy"
Wow.
I was pretty sure he didn't see anything wrong with getting even by making a joke about her sexuality. Not her nationality, or her sense of humor, but her sexuality...which had absolutely nothing to do with any of our conversation at dinner that night. I was also pretty sure he was just softening the joke for me by adding on humor about the sexual prowess of his countrymen. What his joke showed me was that slights to a woman based on her sexuality were fair game, and that it was natural that he should go there because after all, women are mostly sex objects who might happen to have other interests and roles in life like student, mother, etc.
Maybe I'm leaping to assumptions there, but the joke reeked of hatred for women. Because it implied that since she wasn't "getting -- right," the only thing that would straighten her out was a good --. The joke was repulsive because it carried the threat of rape to put her back in her place, to show her she better not make a joke that offended him like that again.
What is most frustrating about the incident, is that I'm not sure I could even begin to have this conversation with my friend, or whether it would be worth it. If he has been socialized to view women this way, over years and years and years, how many conversations will I have to have to make a dent on his brain? And will he even be able to let down his guard long enough to actually look introspectively on his views of women and how they might be harmful...especially if all the men he comes into contact with hold the same views.
It has opened my eyes to the threat and real hatred that actually lies behind many rape jokes and other male-entitlement behaviors...It is disturbing to think that so many men can function in a world where they commodify women as sex objects and view them with a truly destructive level of disrespect. It was also a wakeup call to me to the fact that women, myself included, internalize this commodification and don't do much to fight the way we are treated on the individual level...sometimes it seems like way too much effort to speak up when I am so clearly in enemy territory.
So what is my level of responsibility to other women, and men, who may very well fall victim to my woman-hating friends some day? After all, acquaintance rape and other forms of physical and emotional abuse are pretty common occurences, and our friends and loved ones are perpetrators. Should we as feminists be holding each to a higher standard...quit letting each other slide on the "it's not your fault--it's internalized oppression" card. I let myself slide with this card a lot and let it explain my not-so-heroic behavior while on dates, while walking down the street, or going about any random daily business where I interact with men...while out at the club, and in the bedroom. It's a hard question for me when I feel like speaking up and fighting back comes with high social costs, and I don't have a lot of contact with fellow feminists who don't make me feel judged by simply dismissing my asshole friends or partners by saying "He's an asshole...why do you have anything to do with him?"
So I guess that's why Theories of Masculinity is awesome, since it provides literature and a space to seriously examine the hows and whys of misogeny...also a shout out and thank you to Men Against Rape for taking on this sort of work!
How to Loose a Guy in 10 Days
Early Comic Books and their Subjection of Women
Tuesday, October 26, 2010
Jackson Katz on Linda McMahon
Linda McMahon Smacks Down Women" where he states:
Make no mistake about it: until Linda McMahon decided to run as a Republican for the United States Senate, she was one-half of one of the most culturally destructive, and blatantly misogynistic, business partnerships in the history of popular entertainment. Under Linda and her husband Vince McMahon's leadership, the WWE has featured some of the most brutal, violent and hateful depictions of women in all of media culture over the past twenty years.
I'm sure we'll hear more from Katz in reference to wrestling and how it celebrates and glamorizes violence when we watch Wrestling for Manhood, but I'm mostly interested in comparing his criticisms of McMahon to Mick Foley's heavily involvement in anti-violence work, and if Katz has written about such? I did a quick Google search earlier and came up empty, so I'll keep an eye out.
Yale Frat Pledges Chant “No Means Yes, Yes Means Anal”
Black Masculinity
Sunday, October 24, 2010
“You must be gay.” (On the bullying of pro-feminist men.)
Saturday, October 23, 2010
"Man Up"
Thursday, October 21, 2010
"It Gets Better"
Wednesday, October 20, 2010
Barack & Curtis: Manhood, Power, and Respect
Be sure to read the director's statement, too.
Tuesday, October 19, 2010
5 Things Society Expects of Men
Monday, October 18, 2010
Inviting Husbands, Fathers and Sons to Help End Domestic Violence
Inviting Husbands, Fathers and Sons to Help End Domestic Violence
Saturday, October 16, 2010
Animal House trailer: have things changed much at all?
Friday, October 15, 2010
Bitch Magazine: Policing Masculinity
Barbershop
So yesterday morning I took my son to get a haircut. Normally when he was younger and not to long away i found myself never wanting to go the barbershop. In NY everytime a girl walks into a barbershop its like time freezes and you feel your skin burning from how hard they are looking at you and not necessarily your face ;)... So this time around i said screw it i'm going in! The minute a woman walks in the topics change and the attitude of the barbers seems to have a flip on switch of decency and respect( which is great when you think about it) But it had me wondering the following? Is the barbershop a place for woman? When was the last time you saw a woman as the barber? Well i came across this article of a woman in NJ who has retired from being a barber after 50 years. Even though i'm aware that this is a blog for Theorizing masculinity. My real question is what is going on behind those doors before a woman walks in?
Just for kicks i figure i would attach a picture of my little one and his new haircut :)
Thursday, October 14, 2010
Fairvilla Event
Wednesday, October 13, 2010
Tuesday, October 12, 2010
NWC
Enjoy!!
Sunday, October 10, 2010
man of the house
Was wondering if anybody had any thoughts on these LYRICS...
If we dont got it I’ll go get it (it ain’t a thang)
And if it’s broken I’ll fix it (I dont complain)
But now see it’s gettin’ a little out of hand,
Cook, cleaning, providing taking care of little man
You want to talk about who’s wearing the pants
Baby well I dont understand
[Chorus 2x:]
(If you gone) be the man,
Then be the man,
Cause if you can’t
Baby I can,
I can and I will so
Figure it out
Which one of us gone be the man of the house
[Verse:]
(yeah, hey)
Boy, I just don’t get it
(You ain’t supposed to act like a little boy)
Just cause I’m independent
(Noooooooo)
You walk around with your chest out
Like you the one
But if I don’t do it
Then it won’t get done
I’m a good woman
But I’m not dumb
You gone be the man or my son
[Chorus 2x:]
(If you gone) be the man,
Then be the man,
Cause if you can’t
Baby I can,
I can and I will so
Figure it out
Which one of us gone be the man of the house
[Bridge:]
And I’m sick and tired of
Being the boss for us
(being the boss for us)
No this ain’t the kind of love
It’s supposed to be
You want to be
King of the castle
(ohhhh, you want to be)
You want to be captain
You gone have to work a little bit harder for that to happen
[Chorus 4x:]
(If you gone) be the man,
Then be the man,
Cause if you cant
Baby I can,
I can and I will so
Figure it out
Which one of us gone be the man of the house
Men Growing Up to be Boys
Wednesday, October 6, 2010
Venus Boyz
Halfway through the film, Judith Halberstam discusses the butch/femme dichotomy, and how some folks can turn it on or off. In her essay "Transgender Butch: Butch/FTM Border Wars and the Masculine Continuum", she writes that "masculinity is [seen] as a limited resource, available to only afew in ever-decreasing quantities. Or else, we see masculinity as a set of protocols that should be agreed upon in advance." Halberstam continues by saying "there are a variety of gender-outlaw bodies under the sign of nonnormative masculinities and femininities." I think Venus Boyz accurately displays that: many of the people interviewed stated that they fall somewhere in between, or even outside, the wide, ever-expanding spectrum of gender, and some folks don't consider themselves either masculine or feminine -- like Storme Weather, and don't feel the need to categorize themselves. Society constantly wants to place people in two checkboxes -- male or female -- and it leaves little space for the in between. This documentary proves that gender (and the performance) doesn't have to be either/or, that it can be fluid or a constant state of flux or neither or both all at once.
Eradicate Masculinity: One Pakistani Muslim-American Man's Perspective
Monday, October 4, 2010
Metal and Masculinity: Pt. 2
Sam: "And of course the big debate perhaps is that groupies are percieved as being objectified and powerless--"Pamela: "That is so lame! Because they're exactly where they want to be. Women who are hanging out with bands are not dragged and coerced into the bands' bedrooms or back stage or buses or anything. They want to be there. They make every effort in the world to get where they can be with these bands, and they're doing exactly what they want to do."
The assumption that groupies are objectifies and powerless is, in and of itself, a sexist sentiment. It assumes women aren't sexual beings, don't want to be sexualized, that they all aspire to the ideal of the proverbial virgin. If anything, the people being objectified as sexual objects in this relationship are the male performers. They're the ones who are the sexual trophy, they're the ones being conquered by these women. To assume that this can't happen is also a sexist sentiment. It assumes that all men want lots of sex, which may not always be the case.
"And then finally you start realizing, shit, this is a job too. You know? It's a business. It's not just constant partying."
"When I got off the road and I decided I was done, it took me a long time to be able to embrace a woman, with any integrity at all; they were all pigs. And you start to, you know, it, a lot of these guys, you know, are still headfucked about it. You know what I mean? A lot of these guys still try to live that lifestyle because they don't know anything else. But, you know, you become a product of that environment."
Vince Neil of Mötley Crüe (first quote above) seems to have been horribly impacted by the "sex, drugs, and rock 'n' roll" philosophy. His name is associated not only with the band, but with sex tapes and multiple accusations of assault on sex workers. It would be hard to argue this has no relationship to the lifestyle he maintained in his band. Having a 24/7 all-you-can-eat buffet of women may have made it very difficult for him to mature and adapt to normal society, and in a way he was a victim of that lifestyle. Much like how women sex workers may start stereotyping all men as pigs, heavy metal artists who were contantly exposed to sexually driven women may have lost respect for all women. With such a loss of respect comes consequences.
I wouldn't go so far as to suggest that heavy metal and rock 'n' roll are the devil's music, and bad for everyone, and should be banned. Absolutely not. But I would suggest that, when it comes to the sex part of "sex, drugs, and rock 'n' roll", all parties have a responsibility to consider the gender consequences of their actions. Treating men as sexual objects is playing into patriarchy in just the same way as the objectification of women is.
"When we get on stage, people give us a great deal of respect, which is fantastic. But, um, I've been in bands before Girlschool, but I've been on stage, people asking me if I'm 'tuning the guitar for the guitarist' or, you know, that sort of patronizing comment. 'Cause they don't expect a female to get up and play guitar. But, you know, that's the way it's always been."
That's one thing that metalheads pride themselves in, is that they're equal-opportunity, and show a great deal of respect for people who participate but are not the mainstream. This doesn't just apply to women; when non-whites begin participating, the community is enthusiastic and embracing, and shows a great deal of respect toward them. At the same time, there's always the risk of tokenizing them.
When I suggest metal is a "celebration of masculinity" one of the first things opponents do is point to females in bands. They completely disregard the fact that these women are respected specifically because they perform as men, that they demonstrate and embody masculinity. If they don't embody masculinity, if they speak of women's issues and the experience of girls, if they demonstrate any sort of femininity, they are rejected, in the same way nü metal and hardcore bands are. Take for instance the band Kittie, who frequently speak directly to female listeners in their lyrics. Like Slipknot, this band is not taken very seriously in by metal purists, and often rejected from the genre entirely. While they don't get called "pussies" or "fag music" like a male band might, you might hear someone say "they don't count."
"They tried to put me a little bit more into the, you know, female sexy image, but without power. And I didn't like that. And the people at the record company said, 'Get rid of the black leather. That's number one. Be more of a girl.' And I said, 'Oh no no no no no I can't, you know, I can't do it. And I don't want to do it. I definitely want to, you know, be myself.'"
So while fans love to see women "wearing the pants" in metal, that's not to say they haven't faced resistance in the scene. Record labels know that sex sells, so the assumption is that, if you have a female artist, you need to sexualize them to make bank. Even the members of Kittie feel pressured to look good in order to be successful. This is a conflict male performers don't really have to deal with. But for the women in metal, they find themselves more successful when they resist being turned into sexual objected, and, I would argue, would fail or be rejected if they gave in.
Sam: "Is having kind of a tough persona on stage, is that important to you"Angela: "Yeah, yeah. Because I am tough on stage. You know? I feel very strong on stage, and I want to give that to the people in front of that stage. If you can just have a lot of strength and power, and want to give it to these people and they take a bit of that home."
Even though they are women on the stage, in a way they are still participating in homosociality, in that they emulate masculinity for a masculine audience (regardless whether the audience members are male or female). The main goal is to share that masculinity, that power, that rebellion, that freedom, with the audience. It doesn't matter what the sex of the performer is.
Friday, October 1, 2010
Venus Boyz.
Wow, what a fascinating movie Venus Boyz is! This film vividly portrays female masculinity in a way that many people can relate to. The individuals in the movie believe that they lived as either a man or women in there past time. I think that this movie gives people a different perspective on the transgender world. Transgender individuals are people who do not conform to culturally defined traditional gender roles associated with their sex. This movie makes me realize that it’s perfectly ok to go against the norm. Not everyone fits into the heterosexual or homosexual category and this movie proves that it’s ok.
After watching the movie, I was looking up several film reviews from the movie to see what other viewers thought of Venus Boyz. Here is a film review from The New York Times. I thought it was interesting to read what they had to say.
http://movies.nytimes.com/movie/review?res=9B0DEEDF1739F931A1575BC0A9659C8B63
In addition, this movie relates to topics in which we have discussed in class. It relates to many of the discussions from Men's Lives. The movie reminds me of the discussion article that I lead the class with from article 8 of Men's Lives, The Act-Like-a-Man Box. From an extremely young age boys are told to "Act like a man." They are taught to hide their feelings, appear tough, and most of all never be caught crying. The author explains in the article that this set of expectations is like a box. The book states that it's a "24 hour a day, seven day a week box that society tells boys they must fit themselves into." Venus Boyz reminds me of this article because the people in this movie do not fit into the "Act-Like-a-Man" box category.